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1. A Theatre of a Possible Now: (One on One (2)); A conversation about writing, action, presence and influence.   Hélène Cixous is one of the most prominent and influential writers and philosophers working in Europe today. A feminist philosopher, ...; Created on 29 November 2016
2. Initial Thoughts on Performopedagogy: (Present Personal); The pedagogic-artistic thought relates to the concrete as a pathway to finding the aesthetic in the ethical, the ethical in the aesthetic, and the truth in both.   1. In general: Introductory ...; Created on 29 November 2016
3. Ignorant Schoolmaster, Dead Hare: (Who Said What); What makes pedagogy a performance and performance pedagogy?   The Pedagogical Antinomy of Performance Art The paper was written following the Performance 0:4 – Pedagogy conference, held at ...; Created on 29 November 2016
4. Subjection, Emancipation and Joint Actions: (Editor's note); Performance can provide insight into the ways knowledge is generated through collective endeavors, precisely because it exists in liminal spaces and constant tension.   The link between pedagogy ...; Created on 29 November 2016
5. How to Avoid Meaning: (Artist's say); Seven terms of theatre making and one short remark about inspiration Seven terms of theatre making and one short remark about inspiration Romeo Castellucci. Photo: Itamar Banai Romeo Castellucci ...; Created on 27 October 2016
6. Tai Chi for Baboons: (Visual Correspondence); It's too bad you're not listening because we're actually speaking about something interesting...   Directed and Photographed by Rinat Kotler Editing: Hillel Roman, Rinat Kotler Participants: ...; Created on 27 October 2016
7. Shipbuilding and Other Joint Efforts: (Flies on the wall); The team of "Nomadic School" discusses the multiples dimensions of engagement and shared learning.  The flies are eavesdroping to a conversation of the "Nomadic School" team in HOMO NOVUS festival, ...; Created on 27 October 2016
8. Infinite Potential of Possible Selves: (One on One (1)); About the work "Self Unfinished", methodologies of choreographic work and expectations. The conversation was held after Le Roy's performance at the Israel Festival 2015 Lior Avizoor and Xavier ...; Created on 27 October 2016
9. Perverting human perception: (Flies on the wall); Three artists chat about liveness, performativity and embodiment, and argue about the uncanny in humanoid-human interaction. The flies e-eavesdrop an online conversation between artists Peter-William ...; Created on 10 September 2014
10. Less (body) is more (imagination): (One on One); Daniel Blanga-Gubbay demands the spectators to re-notice and re-use our most basic human attributes of imagination, curiosity and personal interaction. Interview with Daniel Blanga-Gubbay Photo: ...; Created on 10 September 2014
11. The Performative Presence of the Artist: (Editor's note); An artistic performative event requires the presence of a performing artist. But is it an actual, physical presence, or rather a conceptual, theoretical one? The human body’s role in performance This ...; Created on 10 September 2014
12. To Think Inside The Box: (Cross-genres); When I set out to write about scenography I immediately imagine a potential conversation between Artistic Directors of local Israeli theatres. Every way of defining scenography When I set out to ...; Created on 30 December 2013
13. Hate Radio: (One on One); The International Institute of Political Murder, led by director Milo Rau, reenacts RTLM radio station which played a significant role in the 1994 Rwandan Genocide. Between documentary and truth Last ...; Created on 25 December 2013
14. Marina Abramović’s Time: (Artist's say); I was one of the 39 reperformers who trained with Abramovic and enacted her works daily over the course of two and a half months... Retrospective and Reperformance at the Museum of Modern Art video ...; Created on 25 December 2013
15. Thoughts about Reenactment: (Editor's note); This current issue deals with reenactment in its various manifestations and challenges the ontology of performance art as “representation without reproduction”. Twenty years ago, Peggy Phelan defined ...; Created on 25 December 2013
16. The Epistemology of Visibility: (Cross-genres); Political imagination can become a practical tool for political change in a republic. In order create a different regime, we have to mentally overcome distinct characteristics of modern democracy On ...; Created on 29 August 2013
17. The Medium is…: (One on One); Matt Adams, member of Blast Theory, kindly agreed to share with Maakaf readers some of his observations on video dance. Interview with Matt Adams It seems as though it’d be hard to find anyone ...; Created on 25 August 2013
18. The terror of meaning in art: (Hillel's); Although it’s not very fashionable to talk about the maker’s intention, the maker still has one. Moreover, now that the questions in regards to the maker’s intention seem Why Do We Need Dance Dramaturges? ...; Created on 30 July 2013
19. The Artist and his Shadow: (Present Personal); A performance artist is not an actor. He doesn’t perform a character and isn’t asked to pretend. Pretending – what a beautiful and misleading statement! The performance art manifesto that hasn’t been ...; Created on 06 July 2013
20. In Place, or Herzl and Me: (Present Personal); One day back in 1998, I received a phone call from Hans Manintveld, whom announced that my next annual production will be a ‘location theatre’ project. Back then I wasn’t familiar with the term site-specific. ...; Created on 06 July 2013

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Issue no. 11 The Pedagogic Performance

Online magazine for dance, theatre and performance

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